MuggleNet: Half-Blood Prince Countdown

Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Friday, October 3, 2008

Oscars : Most Dramatic Costume Change



No doubt about it, Kristin Chenoweth looked great on the red carpet sporting a black strapless Armani Privé gown and Tiffany & Co. jewels.

But come showtime, the Pushing Daisies star had changed into a layered tulle dress for her performance of "That's How You Know" from Enchanted. And that wasn't the only difference—Kristin's hair went from pulled back to loose 'n' curly.

We liked her first getup just fine and wouldn't have bothered to change, but hey, that's us. How about you? Which fashion-doll version of the actress is your favorite—sleek sophistication or free-flowing glamour?

Wednesday, October 1, 2008

Emmys Red Carpet: It's On, and It's Early!



Do not panic. But the Emmys Red Carpet. Is on. Right now. At this moment. In an odd turnabout for Hollywood, celebrities actually showed up early for the Emmy celebration at L.A.'s Nokia Theatre, with Ricky Gervais, Lauren Conrad and nominee Sandra Oh among the first to arrive. Oh, and this just in: Heidi Klum's earrings just may be picking up short-wave signals from space.

Emmy Awards' Trend: Fashion's Fear Factor


While there were pops of color on the red carpet (hello, Brooke Shields!) it was the intense black outfits on America Ferrera, Debra Messing, Kate Walsh and others that really made an impression.

It was Goth for a grown-up crowd—with lots of ruffles, layers and ruching creating a faintly creepy effect, as if Wednesday Addams had grown up and gone to the Emmys in all her gory glamour.

Or maybe we're taking the funereal-looking frocks a little too seriously? What do you think: Was all the black for the best, or were you also afraid of bustles going bump in the night?

Emmy Awards 2008 : Best and Worst

Best Opening Line:
Sure, the bit about memorable lines was fun, but if you want to get people's attention, all you really need to say: "Ladies and gentlemen, Oprah Winfrey!"

Most Compelling Argument for Scripted Television:
The meandering, Howie Mandel-centric open seemed as unscripted as Jeff Probst said it was. Thank goodness some writer had the idea for Heidi Klum to strip out of her outfit. That's the power of writing, folks.

Best Ad-lib:
"What if I just kept talking for 12 minutes? That was the opening!"
—Jeremy Piven

Biggest Surprise:
Don't know about you, but Zeljko Ivanek's win means one thing: We won't be clinching the office pool. Oh, and also that Ivanek's finally getting some long-overdue recognition...whatever.

Most Awesome:
Ricky Gervais' extended Emmy-related hectoring of Steve Carell was completely award-worthy, unlike most trophy-show banter. "I could do anything—this is live," said Gervais. And we believed him.

Least Surprising:
The guy directing the Emmys program won an Emmy.

Timeliest Reminder:
Tommy Smothers got up to tell the audience that speaking truth is important, which is why he was receiving his Emmy 40 years after his show got canceled in favor of Hee Haw.

Best Performance:
Josh Groban. Sure, it was flashy, but you gotta respect to the guy for his dizzying performance of dozens of TV show themes. He had us at South Park (he does a very fine Cartman), but sealed it with a moving rendition of the Cops theme that made us wanna strip off our shirt and get picked up on an outstanding warrant.

Comedy Is Pretty, Smart:
Tina Fey, so intelligent, talented and accomplished, received her writing award from Lauren Conrad of The Hills, a reality show that's, like, totally unscripted. And so not funny, either. But both are tops in their field, of course, and both are familiar with irony. For different reasons, but still.

Best Cut:
The poor winner who, discussing the power that words hold, got cut off before he could finish that thought.

Emmys Hotness, Senior Edition:
We know we don't usually dwell on older talent, but we love Kathy Griffin, so we have to mention her. Also, her presenting routine with Don Rickles, who later won, was spectacular.

Deal or No Big Deal:
"Thanks to Howie Mandel's prattling, our bit has been cut."—Neil Patrick Harris, echoing more than a few grumbles about the host gambit

Best Gaffe:
Mad Men creator Matthew Weiner sweetly thanked his children, including the tyke he referred to as "the other one." (Don't worry: He not only remembered the name but pretty much guaranteed that kid is getting a spectacular gift.)

Best Emmy-Related Dig:
Conan O'Brien offered this pointed barb: "At this point I had planned on doing a few more jokes, but Katherine Heigl told me she didn't think my material was Emmy worthy." The man knows his audience.

Most in-Character Presentation:
Kiefer Sutherland walked out and said, "We are running out of time," which is pretty much like every episode of 24.

Biggest Upset:
Bryan Cranston, who was overlooked for so long as the dad on Malcolm in the Middle, took home the best actor nod over much bigger, hotter, better-paid, handsomer, more hirsute talent. That was really cool.

Best Host Bit:
While some of the host bits didn't really work, Jimmy Kimmel nailed it when he brought all five hosts out and used every reality-show cliché in the book to milk the moment. Including going to commercial before announcing Jeff Probst as the ultimate hosting survivor.

Biggest Winner:
Tina Fey and 30 Rock, who not only swept up acting, writing and best comedy awards, but still managed to seem fresh and funny even all the way to the end. Unlike, say, Howie Mandel.

What were your favorite moments? What'd we miss? Sound off in the comments.